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This Is Pop (2021) and The Movies That Made Us (2019-2021) are fun, but the deeper cuts are films like Cusp (not strictly entertainment, but adjacent) or The Stroll . When we look at documentaries about the music industry specifically, like Nothing Compares (2022) about Sinéad O’Connor, the villain is not a specific producer or label head. The villain is the "machine."

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Whether you’re a filmmaker looking to break into the business or a viewer curious about how the "truth" gets made, here is a look at why the documentary landscape is shifting. The Evolution of "Truth" as Entertainment This Is Pop (2021) and The Movies That