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Kobayashi strongly advocates for (fourth string tuned down to G below middle C). His PDFs explain why: re-entrant tuning (high-G) limits bass movement. For jazz, you need a bass voice to walk. The PDF includes diagrams comparing chord voicings in both tunings.
Kobayashi strongly advocates for (fourth string tuned down to G below middle C). His PDFs explain why: re-entrant tuning (high-G) limits bass movement. For jazz, you need a bass voice to walk. The PDF includes diagrams comparing chord voicings in both tunings.