At the heart of the installation sits a custom‑fabricated FLV rig—six Nvidia RTX 4090 GPUs linked via NVLink, each feeding a cascade of 12k‑resolution projectors. The engine renders in real time a procedurally generated “zoo” of abstract fauna: crystalline giraffes, neon‑scaled elephants, and, most notably, a flock of hyper‑realistic foxes whose fur ripples like liquid glass. The foxes are not pre‑programmed; they respond to the audience’s movement, the ambient soundscape, and even the humidity of the room.
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The “Double Trouble” motif manifests in multiple layers: the twin sound designers, the mirrored fox projections that constantly chase each other, and the duality of the audience as both observers and participants. The installation creates a feedback loop— the viewer watches the art, the art watches the viewer —blurring the binary between creator and consumer.
Lena, a known art critic and vixen in her own right for her sharp tongue and quick wit, stumbled upon the exhibition with her friend, Rachel. The two were immediately drawn to "Double Trouble," sensing there was more to the piece than meets the eye.
The Art of Zoo, with Delachan as its muse, had created something truly special—a bridge between the wild and the domestic, between humans and animals. It reminded everyone who visited that even within the confines of a zoo, there lies a deep, profound beauty, a beauty that speaks to the very heart of what it means to be alive.