If you work in Cinema 4D, you know the feeling. You open the Node Editor in Redshift, ready to create a stunning material, and suddenly you are staring into the abyss of math, nodes, and connection cables. You just wanted a nice piece of worn leather, but now you’re tweaking a Fresnel curve and wondering if you made a wrong turn in life.
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(Also suggested related searches provided.) If you work in Cinema 4D, you know the feeling