Composed by Aria Prayogi and Fajar Yuskemal. This is the version that premiered at the Toronto International Film Festival.
In many versions, the English vocal track sits "on top" of the film’s soundscape, sometimes muffling the incredible foley work of breaking bones and clattering machetes. The Mike Shinoda Factor and Soundscapes the raid redemption indonesian audio
In the Indonesian audio track, the soundscape is the one the director intended. It is harsher, louder, and more chaotic. The Silat fight scenes rely heavily on the rhythm of the choreography, and the original audio preserves that rhythm. You feel every strike in your chest. Composed by Aria Prayogi and Fajar Yuskemal