| Component | Specification | |-----------|----------------| | | 55 % Organic Tencel® Lyocell (Eucalyptus pulp, OEKO‑Tex 100) 35 % Recycled Polyester (post‑consumer PET) 10 % Elastane (for stretch) | | Fabric Weight | 180 g/m² (light‑midweight – drapes like silk but has structure) | | Finish | Moisture‑wicking surface treatment (biodegradable, PFC‑free) that provides a soft hand feel while keeping the wearer dry. | | Thread | 100 % Organic Cotton , 30 Nm, dyed with low‑impact, azo‑free pigments. | | Lining (optional) | For the Mizu‑Blue and Kuro‑Onyx colorways a thin, breathable Bamboo‑viscose lining (50 g/m²) is added only to the back panel to prevent see‑through. | | Hardware | Zipper: YKK® #5 invisible, recycled nylon tape. Buttons: Hand‑finished, mother‑of‑pearl, sourced from sustainably farmed pearl oysters. |
When she sent the cushion back, Emiko smiled for the first time since she’d stepped into the studio. “You always knew how to make room,” she said. The words were the simplest reward: recognition from someone who had once been a neighbor in the map of Fumie’s life. fumie+tokikoshi+top
A Tokikoshi top is not for the person who wants to be noticed from across the room. It is for the person who, when someone leans in close, hears a soft, involuntary, "That is beautiful. What is it?" | | Hardware | Zipper: YKK® #5 invisible,
Fumie Tokikoshi's artistic career has been marked by a steady rise to prominence. Her early work gained recognition in Japan, where she participated in several group exhibitions and art fairs. As her reputation grew, so did her international exposure. Tokikoshi has since shown her work in galleries and museums worldwide, including the Museum of Contemporary Art in Tokyo, the Shanghai Museum of Art, and the Centre for Contemporary Art in Singapore. “You always knew how to make room,” she said
