Every morning, Sook-hee bathed the Lady. One morning, as she used a piece of candy to smooth a sharp tooth in Hideko’s mouth, the distance between them vanished. The touch was too lingering; the gaze too honest. Sook-hee realized that while she was supposed to be the predator, she was becoming the protector. Hideko, trapped since childhood, saw in Sook-hee the only real thing she had ever touched.
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The film's cinematography and production design are also noteworthy. The film features a blend of Western and Eastern influences, reflecting the cultural context of 1930s Korea. Sook-hee realized that while she was supposed to