“This one,” she said. “Because it taught me how to be stubborn enough to keep asking why.”

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Mira realized then that her work had always been less about markets and more about permission—permission to notice, to hold, and to keep something true. She returned to factories not to scale the object but to teach the makers how to listen to what they were assembling. The objects that followed were flawed in all the right ways—deliberate, human, and alive.