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What most Westerners never see is Japan’s domestic live‑action and variety TV. Shows like Gaki no Tsukai (“No Laughing Batsu Game”)—where comedians face absurd physical punishment if they laugh—have cult followings abroad via fan‑subs. But the real power is in daily dramas ( asadora ), period epics ( taiga dramas ), and game shows that turn grocery shopping into a military operation. The dark side has drawn scrutiny: overwork, mental
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