Scott Joplin Midi Files

Updated May 9, 2000

Previous Update November 12, 1999

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This page lists compositions by Scott Joplin.

I can provide more context on this era of film history if you are interested in:

In "Dogarama," Lovelace not only showcases her technical skill and creative vision but also her ability to tap into the zeitgeist of her era. The film stands as a testament to the power of experimental cinema to challenge, provoke, and inspire, offering a glimpse into a moment of significant artistic innovation in the late 1960s.

If “Dogarama” refers to a specific film or avant-garde project, it may be extremely obscure, lost, or misattributed. Could you share any additional context—such as where you saw the title, a director’s name, or a medium (film, photo series, etc.)? That would help me write an accurate and responsible piece.

Antoinette - March and Two-Step - 1906 - Scott Joplin

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The Augustan Club Waltzes - 1901 - Scott Joplin

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Bethena - 1905 - Scott Joplin

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Binks' Waltz - 1905 - Scott Joplin

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A Breeze From Alabama - March and Ragtime Two-Step - 1902 - Scott Joplin

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The Cascades - 1904 - Scott Joplin

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The Chrysanthemum - An Afro-American Intermezzo - 1904 - Scott Joplin

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Cleopha - 1902 - Scott Joplin

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Combination March - 1896 - Scott Joplin

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Country Club - Ragtime Two-Step - 1909 - Scott Joplin

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The Easy Winners - 1901 - Scott Joplin

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Elite Syncopations - 1902 - Scott Joplin

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The Entertainer - 1902 - Scott Joplin

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Eugenia - 1905 - Scott Joplin

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Euphonic Sounds - A Syncopated Two Step - 1909 - Scott Joplin

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The Favorite - A Ragtime Two-Step - 1904 - Scott Joplin

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Felicity Rag - A Ragtime Two-Step - 1911 - Scott Joplin and Scott Hayden

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Fig Leaf - A High Class Rag - 1908 - Scott Joplin

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Gladiolus Rag - 1907 - Scott Joplin

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Good-bye Old Gal Good-bye - 1906 - Mac Darden and H. Carroll Taylor arranged by Scott Joplin

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The Great Crush Collision March - 1896 - Scott Joplin

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Harmony Club Waltz - 1896 - Scott Joplin

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Heliotrope Bouquet - 1907 - Scott Joplin and Louis Chauvin

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I Am Thinking Of My Pickaninny Days - 1902 - Scott Joplin

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Kismet Rag - 1913 - Scott Joplin and Scott Hayden

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Leola Two Step - 1905 - Scott Joplin

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Lily Queen - A Ragtime Two Step - 1907 - Scott Joplin and Arthur Marshall

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Little Black Baby - 1903 - Scott Joplin

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Lovin' Babe - 1911 - Al R. Turner arranged by Scott Joplin

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Magnetic Rag - 1914 - Scott Joplin

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Maple Leaf Rag - 1899 - Scott Joplin

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Maple Leaf Rag Song - 1904 - Scott Joplin and words by Syndey Brown

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March Majestic - 1902 - Scott Joplin

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The Nonpareil - A Rag & Two Step - 1907 - Scott Joplin

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Original Rags - 1899 - Scott Joplin

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Palm Leaf Rag - A Slow Drag - 1903 - Scott Joplin

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Paragon Rag - 1909 - Scott Joplin

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Peacherine Rag - 1901 - Scott Joplin

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Pine Apple Rag - 1908 - Scott Joplin

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Pleasant Moments Ragtime Waltz - 1909 - Scott Joplin

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Rag-Time Dance - A Stop-Time Two Step - 1906 - Scott Joplin

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Reflection Rag - Syncopated Musings - 1917 - Scott Joplin

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Rose Leaf Rag - A Ragtime Two Step - 1907 - Scott Joplin

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The Rose-bud March - Two-Step - 1905 - Scott Joplin

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Scott Joplin's New Rag - 1912 - Scott Joplin

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Search-Light Rag - A Syncopated March and Two-Step - 1907 - Scott Joplin

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Sensation Rag - 1908 - Joseph F. Lamb arranged by Scott Joplin

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Silver Swan Rag - Circa 1914 - Scott Joplin (Attributed to)

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Snoring Sampson - 1907 - Harry La Mertha arranged by Scott Joplin

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Solace - A Mexican Seranade - 1909 - Scott Joplin

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Something Doing Cake Walk March - A Ragtime Two Step - 1903 - Scott Joplin and Scott Hayden

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Stoptime Rag - 1910 - Scott Joplin

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The Strenuous Life - 1902 - Scott Joplin

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Sugar Cane - A Ragtime Classic Two-Step - 1908 - Scott Joplin

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Sunflower Slow Drag - Rag Time Two Step - 1901 - Scott Joplin and Scott Hayden

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Swipesy - Cake Walk - 1900 - Scott Joplin and Arthur Marshall

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The Sycamore - 1904 - Scott Joplin

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Wall Street Rag - 1909 - Scott Joplin

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Weeping Willow - A Rag Time Two Step - 1903 - Scott Joplin

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Linda Lovelace Dogarama- 1969 ~repack~ [2025-2027]

I can provide more context on this era of film history if you are interested in:

In "Dogarama," Lovelace not only showcases her technical skill and creative vision but also her ability to tap into the zeitgeist of her era. The film stands as a testament to the power of experimental cinema to challenge, provoke, and inspire, offering a glimpse into a moment of significant artistic innovation in the late 1960s. Linda Lovelace Dogarama- 1969

If “Dogarama” refers to a specific film or avant-garde project, it may be extremely obscure, lost, or misattributed. Could you share any additional context—such as where you saw the title, a director’s name, or a medium (film, photo series, etc.)? That would help me write an accurate and responsible piece. I can provide more context on this era

 

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