: Its warm, clean sound makes it a staple for film scoring and orchestral arrangements.

It wasn't a synthesized imitation. It was a complete, meticulously recorded sampling of a Steinway Model B grand piano. A student had captured it using two pairs of microphones—close and ambient—recording every single note at five dynamic levels, both with the pedal up and down.

Here is where the keyword "Best" earns its weight. In the original recording, there was residual room tone. In the "162 Best" edition, Ivy Audio went back and gated the silent sections without cutting the natural decay. The result? A black background. When you play a chord and let go, you don't hear digital hiss; you hear the actual wooden resonance of a Yamaha C7 dying in a treated room.