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| Era | Key Films/Directors | Contribution | | :--- | :--- | :--- | | | Zahir Raihan ( Jibon Theke Neya ); Alamgir Kabir | Laid the foundation for political realism. | | 1990s (The Chabial Era) | Tanvir Mokammel ( Hulia ); Morshedul Islam ( Dipu Number Two ) | Formalized independent film collectives. | | 2000s (The Breakthrough) | Tareque Masood ( The Clay Bird – National Award, Oscar submission); Mostofa Sarwar Farooki ( Bachelor ) | International festival recognition; blurred lines between art and commercial appeal. | | 2010s–Present | Rubaiyat Hossain ( Made in Bangladesh ); Abdullah Mohammad Saad ( Rehana Maryam Noor ) | Strong feminist and political voices; OTT (Over-The-Top) platforms enabled wider access. |

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Reviews of big-budget Shakib Khan films often walk a tightrope. They cannot ignore the technical flaws (poor VFX, illogical scripts), but they must acknowledge the star’s charisma. The result is often a "glowing" 2.5/5 star review that reads, "The plot is nonsense, but Shakib's dance saves the day." | Era | Key Films/Directors | Contribution |