Musically, Laskar was a daring departure from the norm. Meor Aziddin Yusof’s guitar work was heavily influenced by the blues, but it was filtered through a distinctly Malay sensibility—what critics often described as "blues kampung" (village blues). The arrangements were raw and unpolished by commercial standards, yet intricate in their execution. Tracks like "Suratan" and "Bisikan" utilized haunting melodies and unconventional time signatures that mirrored the lyrical themes of confusion and enlightenment. The band created a sonic atmosphere that was dense and brooding, allowing the listener to feel the weight of the "battle" described in the lyrics. This was not music created for dancing; it was music created for contemplation.

The comprises 11 tracks, each a piece of a larger mosaic. The album is bookended by two instrumental pieces that set a somber, martial tone, while the middle section explodes with ferocity.