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Consider the character of Mrs. Bennet in Pride and Prejudice . She is loud, materialistic, and socially awkward. A lesser writer would make her a villain. But Austen shows us her motivation: she lives in a world where if her daughters do not marry well, they will be destitute on the street. Her "bad" behavior is actually fierce, if misguided, love.

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Modern dramas have moved beyond the melodramatic "long-lost twin" trope to more nuanced versions: the child from an affair, the sibling given up for adoption who has a better life, or the half-sibling who is actually a better fit for the family than the legitimate heirs ( This Is Us handled this with devastating grace). Consider the character of Mrs

Usually the eldest daughter or the middle child desperate for approval. They spend the entire runtime of the story trying to glue the vase back together while everyone else is throwing hammers. Prime Example: Beth Pearson (This Is Us) or Claire Dunphy (Modern Family) in her more dramatic moments. The Fixer’s tragedy is that their efforts to "save" the family usually result in their own burnout or resentment. Their storyline often culminates in a breakdown—finally screaming the truth no one else will say. A lesser writer would make her a villain